For some reason that now eludes me I decided to max out my Capitalone credit card with a trip to New Zealand. I couldn’t afford it; there was no overpowering urge to go; I didn’t need to throw a omnipotent ring into a lava pit; and I certainly didn’t know anyone there, except for one ex-pat Kiwi who sort of hated my guts.
The sheer irresponsibility/stupidity of it all became the single most viable reason for the trip. Every time I told someone that I wanted to go to New Zealand, they always had the same question: “Why would you go to New Zealand?” My standard reply was “I’ve always wanted to fuck a Hobbit.” The REAL answer from the bottom of my soul (which I never told anyone) seemed almost more embarrassing: “No good reason.”
“Hey, this makes no goddamn sense… so what am I waiting for?”
The one thing in my favor was the fact that one of the biggest comedy bookers in New Zealand, Scott Banks, seemed to think that my specific brand of dick jokes would work amongst a group of drunk Kiwis. The money that I made with him would pay me just enough to keep my “No Hassles” card under the limit (hopefully). That is, unless I wanted to buy something extravagant in Auckland, like meals.
Before I could live like a shitty homeless person in the NZ, I had to be in the air for 12 shitty hours on an economy middle seat sandwiched between a young “aromatic” German and Jabba-the-Hut’ian Kansan, baby attached. As the Kraut was wafting new, yet undiscovered strains of body odor into my trenchant nostrils, the infant looked at his mother and wailed. I can’t say I blame him. (note to reader: During the flight, I did discover something worse than my predicament, and that was the movie “Cop Out.” If you haven’t seen it, I recommend taking a dump and staring at it for 90 minutes instead.)
I had grandiose plans to read and write on the flight but the dulcet hum of the 747 engine lulled my brain waves into a frequency capable of only three things: watching crappy movies, eating, and farting uncontrollably. On occasion, I was able to manipulate my sphincter muscles well enough to fart silently, but for the most part, I just let ‘em rip. I even alternated which butt cheek I would elevate just to be fair to my adoring fans. Take that, Wichita! Take that, Hitler Youth!
Even though the ginormous Kansan immediately to my right keep putting her pink polyester turtleneck sweater over her chins and nose to avoid the stench, she was, alas, left without any empirical evidence that my colon was the culprit. Blended with the smell of wool blankets and cheap coffee, the smell almost hybridized into something possibly… good? Mmmm, is it lunch time already, Air New Zealand?!
I landed safely in a fog-laden Auckland and found myself out by the taxi stand a mere 2 and a half hours later. You wouldn’t think that immigration and customs would be such a rigamarole in New Zealand, but apparently the Kiwis are deathly afraid Yankees are going to smuggle in a banana that will fuck up the entire eco-system of the North Island. There were cryptic questions and searches and bio-scans and many threatening signs around the airport implying that a fruit and vegetable in your luggage will get you in serious trouble. One illustrated panel might show a hapless Yankee nonchalantly bouncing along with a rutabaga in his rucksack, and the next might show a half-naked Maori snapping his neck.
I finally got into a taxi, and traveled to my hotel in Ponsonby, a quaint neighborhood that looks like a midwestern American town in the 50’s. And by that, I mean, not crowded and not a black person in sight. Even my non-homegrown presence didn’t go unnoticed. I felt like DiCaprio’s subconscious in “Inception.” Everywhere I went, people looked at me with quizzical or slightly annoyed expressions, particularly when I talked or screamed “Yeehaw! I’m from the States, bitches!”
My first set in New Zealand was straight away that night and I was in panic mode. I hadn’t come up with ONE local joke and apparently all my fun stereotypes about being Down Under applied to Aussies, not Kiwis. Boomerangs, Koalas, fighting, even baby-snatching dingos.
I knew I could pull out something cheap like, “I hear you guys don’t count sheep to go to sleep because it’s way too expensive to clean down comforters,” but I really wanted to immerse myself in the actual Kiwi culture. So I found a Starbucks, pulled out my iPad and Googled “Pop Culture New Zealand.” Google responded with “DID YOU MEAN Pop Culture United States?” Google can be such a dick sometimes.
For some reason, I couldn’t seem to find anything funny enough to put in my act. Hmmm… I noticed that the buses said, “Sorry, not in service,” which I found hysterical in that the buses were actually apologizing to people. In New York City, I believe the digital readout would read “Shit ain’t working, mothafucka, so suck my mothafucking bus-dick” or something along those lines. Not funny enough.
I sat and looked at people and imagined but I was drawing a blank. A midget waddled by and I realized that in a town this tiny, he was probably known simply as “The Midget.” Not funny enough to bring up, was it? The insecurities crept in and perched their silent haunches on my shoulders. Bill, maybe you’re just not funny enough…
Come showtime, I found myself inordinately nervous. This gig was, by no means, a gig that would further my career. As a matter of fact, it was antithetical to anything career-oriented. Unlike the Los Angeles Laugh Factory, there wasn’t the possibility that Adam Sandler was there looking for someone to join the Happy Madison team. Most of the comics at the club didn’t know my name or care, and I didn’t have a single person I knew in the burgeoning crowd of 200 to watch potential demise. Still, my hand was shaking as I sipped my vodka.
The 7 other comics crowding the green room all seemed cordial enough, although I couldn’t help but feel a little of the “who the fuck is this asshole?” vibe despite the broad smiles and lilting accent.
Another aspect of the night rattling my nerves was the fact that I was the emcee, so I had to start the show and establish a rapport with the audience before anyone else. And sober Kiwis can be a brutal bunch, I’d heard.
I sat down, took a deep exhale, and decided to go out and let the audience dictate the direction of my set. It would be just like home, just like –
“Welcome everybody! And here’s your host, Bill Dawes!”
WTF?! THAT WAS MY INTRO?! I almost spit out my Absolut.
In New Zealand, there is something called the “Tall Poppy Syndrome.” Although it’s universally a pejorative term to describe the bizarre way Kiwis and Aussies punish the successful, they have sort of co-opted it into a positive mantra about staying modest.
But, for me, on my first night in Auckland, this modest intro meant was I was sitting on a couch with my hand down my underpants adjusting my ballsack and I was supposed to be onstage. No house rules, no announcement about a drink minimum, no “Sex and the City” reference, and no hullaballoo about an “international headliner” coming to the stage. It was simply “Welcome everybody! And here’s your host, Bill Dawes!”
By the time I removed my hand from my drawers (nuts still askew), got up from the couch, put down my drink, raced down the steps and then onto the stage to the location of the mic stand, the smattering of applause had already petered down to one sarcastic slow clap by a Neil Young-looking old dude in the corner by the toilets. His syncopated clap seemed to serve, already, as the first heckle of the night.
Because life is hilarious, I went to the mic stand to adjust it, and it separated into two pieces. More specifically, it became undone at the middle hinge, so I had to focus and guide it back in the bottom half of the stand…. at which point, the top part began to slowly sank down until it stopped at crotch level. It looked like my twisted up testes were about to make a speech. (“Get better underwear!” they would have screamed).
I decided to run with it: “My balls will now sing the national anthem.” Cricket. Luckily, I wasn’t on the microphone, so not many people were able to hear my first dud of a joke.
I quickly pulled up on the mic stand to my face, and it slowly slid back down.
“It’s like a…. bike pump or something,” I said, hoping to elicit a knowing and commiserative laugh from the crowd. Instead, there was silence and a lonely man fumbling with a mike stand onstage. Cricket riding a tumbleweed.
I pumped the stand up and down a couple of times, positive that the utter lack of response to my comment was a lack of strong visual. I even pushed up and down harder to show them that, hey, look guys, It really looks like I’m trying to inflate a bicycle tire, doesn’t it?! The tumbleweed-riding cricket was now coming through a creaky western door into an empty bar.
I looked up and smiled.
“Hi!”
Usually, my dimply face can elicit a few chuckles of pity or isn’t-he-cuteness or something, but all I could see was a sea of folded arms and blank expressions. That, and the glow from the bar in the back illuminating the face of Scott Banks, the owner of the Classic and the Godfather of all stand-up in New Zealand. He booked me having never seen me perform live before. And here I was, destroying his mic stand and making a large group of paying customers comically uncomfortable.
“So… he didn’t give me an intro or anything… but I’m from the United States!” That was my first sentence to a New Zealand crowd. I’m not sure what I was expecting, but I CAN say I was expecting… something. Anything. Even a jovial “boo!” The shrill silence and awkward apathy, I must say, threw me. A distant vulture was now circling over the cricket, which has now died of boredom.
“Well… I guess fuck me, huh?” I said, my catawampus testicles growing a little.
Then I heard it. The faintest of chuckles. One person in the back, then a few more. Uncomfortable, yes, but it was all that I needed. I just need to know that someone in the audience would laugh. That’s it.
“It’s good to be here in Southern Australia,” I said, having never said or thought the sentence before. The chuckles merged with some moans and “ooooohs.” Perfect.
“What’s wrong? Should I have said Southeastern Australia? Sorry, I’m American, I’m not very good at geography. But who cares, we make cool shit — enjoy your iPhones. And yes I mean you, hot Kiwi texting with one right now in the front row.”
“I’m not Kiwi, I’m from the Philippines.”
“Well, you’re still hot. As a matter of fact, I think the best looking women in the planet are Philippina women. They’re gorgeous… but they have huge cocks.”
The girl immediately put down her iPhone and stared at me, slack-jawed. Who cares? Because the few chuckles and moans were replaced with and topped by a small amount of gut laughs. The collective audience reaction hovered precariously between amused and offended.
“Don’t be offended, men like prostitutes. Hookers and sluts, they love ‘em. You didn’t get the memo? They do. But I’m not here to talk about Australian girls….”
The chuckles and gut laughs coalesced into some claps. The jokes were cheap and easy, and I was maybe pandering a bit. But some arms unfolded, some smiles cracked, and I hadn’t even said a word of my act.
“So, yeah, I’m from America, and I’m about to do a show on Broadway….”
Sometimes, after 7 and a half years, your mouth can bullshit it’s way into a room and charm the silence.
Sometimes, after all that time honing a skill, you are holding a microphone on a foreign stage in front of 200 strangers and you sort of realize that you have become pretty good at this thing, this strange thing, which is your job.
Sometimes, you discover there IS a reason you are there. That it is, indeed, a good reason.
Then you smile at the uncomfortable relationship between a man onstage with a microphone and a random group of fellow travelers. And when you do, you show your dimply face. And they laugh at it.
Because, now, and finally, they are on your side.










